{"id":308108,"date":"2022-03-04T18:30:18","date_gmt":"2022-03-04T21:30:18","guid":{"rendered":"https:\/\/anba.com.br\/documentario-catarinense-sobre-arte-e-premiado-na-argelia\/"},"modified":"2022-03-09T12:12:41","modified_gmt":"2022-03-09T15:12:41","slug":"brazilian-art-documentary-awarded-in-algeria","status":"publish","type":"post","link":"https:\/\/anba.com.br\/en\/brazilian-art-documentary-awarded-in-algeria\/","title":{"rendered":"Brazilian art documentary awarded in Algeria"},"content":{"rendered":"

S\u00e3o Paulo \u2013 When Film and Audiovisual student from Santa Catarina Luiz Henrique Vieira started filming the documentary \u2019Hinges of Paint<\/strong>\u2019 [\u2018Gonzos de Tinta\u2019] with his university colleagues, he had no idea the project would traverse Brazilian borders to reach other continents. But the short film on arts was awarded in the North African nation of Algeria<\/strong> and in India. Pictured above; a film extract.<\/em><\/p>\n

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The documentary recorded the artistic works<\/em><\/figcaption><\/figure>\n

\u201cAlgeria is a country I have always admired and found very interesting,\u201d he said, clarifying; however, he did not think about reaching the Algerians with a film. The short film records an artist residency in Joinville, Santa Catarina, and was awarded Best Documentary at the Digital Gate International Film Festival<\/strong> in Algeria in February. The award ceremony occurred online.<\/p>\n

The young filmmaker said he came across information about the Algerian festival when looking for international competitions to enter \u2018Hinges of Paint.\u2019 He went after events centered on artistic productions and realized Digital Gate, from Algeria, could be a good opportunity. The surprise came to learn the film was among the 20 shortlisted for the final jury.<\/p>\n

\u2018Hinges of Paint\u2019 won the documentary category. The festival\u2019s films were made available on the internet for a few days for the public to watch. Although the main languages spoken in Algeria are Arabic and French, the Brazilian documentary was screened with English subtitles. \u201cIt is a festival in Algeria, but it screens films from all over the world, so we chose to send it in English to reach as many people as possible,\u201d Vieira explained to ANBA.<\/p>\n

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Backstage: The film was shot by students<\/em><\/figcaption><\/figure>\n

\u2018Hinges of Paint\u2019 documents an artistic residency<\/strong> in November last year at Galeria 33 in Joinville, bringing together 11 artists from Santa Catarina selected by Ricardo Kolb<\/strong>. They spent three weekends immersed in abstract art production at the gallery, crafting works that resulted in an exhibition. \u201cThe short film intimately documents this artistic residency,\u201d said Vieira.<\/p>\n

The documentary brings conversations and testimonials of each artist participating in the residency, with diverse views, and shows the works produced. \u201cThe most important thing for me, in this project, is the world is getting to know their art; I think this is more gratifying for the documentary team,\u201d says Vieira, delighted to give visibility to the artists of his region alongside his colleagues. The Aldir Blanc culture incentive law supported the residency in the municipality of Joinville<\/strong>.<\/p>\n

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Backstage: Team effort<\/em><\/figcaption><\/figure>\n

In addition to recognition in Algeria, \u2018Hinges of Paint\u2019 was awarded this year at two festivals in India. The production won the Jury Prize for Best Student Film at the Reels International Film Festival and Best Documentary Short Film and Best Cinematography in a Short Film at the Global Monthly Online Film Competition. In addition to India and Algeria, the documentary has already been screened in Turkey, the United States, and the United Kingdom. It is scheduled to also premiere in Portugal in the middle of the year.<\/p>\n

In addition to the direction of Luiz Henrique Vieira, the film is produced by Vanessa Neitzke and features cinematography by Gabriella Boczkovski, camera and sound by Kevin Pedrozo Osorio, and editing by Eduardo Augusto Cardozo. All are Cinema and Audiovisual students at the Regional University of Joinville<\/strong> (UNIVILLE). \u201cEveryone had a great participation; it was a very collective effort,\u201d said Vieira.<\/p>\n

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Luiz Henrique Vieira directed the short film<\/em><\/figcaption><\/figure>\n

The filmmaker is 25 years old and, before \u2018Hinges of Paint,\u2019 had already co-directed another documentary. The production, called \u2018Caco,\u2019 originated from a film workshop and addressed the history of Joinville-based poet Caco de Oliveira. Vieira is in the second year of the Cinema and Audiovisual course. Before, he started a degree in Journalism but changed course when he realized his passion for documentary cinema.<\/p>\n

Currently, the director is taking advantage of the recent release of the documentary in January this year to submit the work to several festivals. According to Vieira, there was a pre-launch in Joinville, at Galeria 33, with a full house. The awards served as an incentive for students to believe in the strength of the production and seek more space. Vieira says he did not imagine the short film would take on the current dimension. \u201cWhat happened was a very pleasant surprise,\u201d he says.<\/p>\n

The name \u2018Hinges of Paint\u2019 [\u2018Gonzos de Tinta\u2019] is the same name given to the exhibition made from the artist residency. The word was chosen because it references the connection between the many artists in the residency, as a hinge connects two parts, through which the parts can move. \u201cVery different artists together for a purpose,\u201d explained Vieira.<\/p>\n

Translated by El\u00fasio Brasileiro<\/strong><\/p>\n

Press release<\/div>\n
Press Release<\/div>\n
Press release<\/div>\n
Press release<\/div>\n
Press release<\/div>\n","protected":false},"excerpt":{"rendered":"

Short film \u2019Hinges of Paint\u2019 [\u2018Gonzos de Tinta\u2019] received the \u2018Best Documentary\u2019 award at the Algerian Digital Gate International Film Festival.<\/p>\n","protected":false},"author":1455,"featured_media":308089,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[89,114],"tags":[26561,29090,29081,29082,29092,29093,29083,28651,29084,1826,29085,29096,7722,29086,29097,29087,29088,29095,7672,29091,29094,29089],"class_list":{"0":"post-308108","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-culture","8":"category-news","9":"tag-argelia-en-2","10":"tag-cinema-and-audiovisual","11":"tag-cinema-e-audiovisual-en","12":"tag-cinema-universitario-en","13":"tag-college-cinema","14":"tag-college-movies","15":"tag-curta-metragem-en","16":"tag-documentario-en","17":"tag-documentario-curta-en","18":"tag-documentary","19":"tag-festivais-de-cinema-en","20":"tag-film-festivals","21":"tag-filmmaker","22":"tag-gonzos-de-tinta-en","23":"tag-hinges-of-paint","24":"tag-luiz-henrique-vieira-en","25":"tag-ricardo-kolb-en","26":"tag-short-documentary","27":"tag-short-film","28":"tag-university-cinema","29":"tag-university-film","30":"tag-univille-en"},"wps_subtitle":"Short film \u2019Hinges of Paint\u2019 [\u2018Gonzos de Tinta\u2019] received the \u2018Best Documentary\u2019 award at the Algerian Digital Gate International Film Festival.","_links":{"self":[{"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/posts\/308108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/users\/1455"}],"replies":[{"embeddable":true,"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/comments?post=308108"}],"version-history":[{"count":0,"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/posts\/308108\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/media\/308089"}],"wp:attachment":[{"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/media?parent=308108"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/categories?post=308108"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/tags?post=308108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}