{"id":30985,"date":"2009-05-27T13:35:00","date_gmt":"2009-05-27T15:35:00","guid":{"rendered":"https:\/\/escaesco.com.br\/lab\/anba\/a-portrait-of-sao-paulo\/"},"modified":"2019-06-30T16:42:49","modified_gmt":"2019-06-30T19:42:49","slug":"a-portrait-of-sao-paulo","status":"publish","type":"post","link":"https:\/\/anba.com.br\/en\/a-portrait-of-sao-paulo\/","title":{"rendered":"A portrait of S\u00e3o Paulo"},"content":{"rendered":"<p>S\u00e3o Paulo \u2013 &quot;It is said that the restaurant arose where there used to be a night club. The music is still in plain evidence. The theme of the decoration, on the floor and engraved walls, in the mirrors and in the counter greatly pleased Matisse: lozenges. They have a sonorous cadence that absorbs and dominates the space, reverberating in the curved woods. It is the 1950s in great shape.&quot; The text accompanies a drawing of Arab restaurant Almanara, in the centre of S\u00e3o Paulo, and is in book San Paolo, Desenhos e prosa da cidade (San Paolo, Drawings and prose of the city), by Italian artist Vincenzo Scarpellini. Published by Publifolha and sponsored by company CA Brasil, in the area of technology, the 176-page book should be placed in bookstores this week. <\/p>\n<p> <!--%IMGNOT3%-->In oil pastels, the pictures by Scarpellini show a city that is invisible to most of the residents of the city, who walk its streets in a hurry. They, however, may be seen by foreign visitors, who are enchanted by angles of buildings, modernist architectural images and the riches of characters of the metropolis \u2013 some renowned, others anonymous. The artist, as wrote journalist Gilberto Dimenstein in the preface of the book, rediscovers S\u00e3o Paulo. &quot;When reanalysing the history of this city, especially at the moment of rediscovery, the drawings by Vincenzo should be among the main registers,&quot; he wrote.<\/p>\n<p> In Scarpellini&#8217;s work, readers should also find scenes of the centre of the city, where the artist lived and which he loved. Building Copan (designed by architect Oscar Niemeyer) and It\u00e1lia, a symbol of the city, are among the sites depicted. Added to them may be Pacaemb\u00fa stadium, Congonhas Airport, and other important buildings for S\u00e3o Paulo, like the Louvre and Bretagne, also in the central region. Alongside the architecture and large constructions are characters of the everyday life, like the owner of a second hand bookshop and her cat, the super of a building and characters like renowned architect Paulo Mendes da Rocha. <\/p>\n<p> <!--%IMGNOT2%-->All the drawings in the book were initially drawn between 2000 and 2006 and, originally, published in the Urbanidade column, in newspaper Folha de S.Paulo, in the Daily sector. They are images of the city, situations carefully chosen and lapidated by the artist \u2013 or simply &quot;the impression of an instant, a chronicle of the moment&quot;, as written by art critic Jorge Coli. Alongside the drawings are four-line long texts, true poems in prose. The artist&#8217;s own style that marked his collaboration with the newspaper. The drawings, sensitive, intelligent and daring, contrasted with the pages of the paper, full of news about the city of S\u00e3o Paulo. And readers noticed the importance of such contrast, &quot;a breath for the page&quot;, as the artist liked to say.<\/p>\n<p> <b>About the artist<\/b><\/p>\n<p> Vincenzo Scarpellini had natural and discrete elegance. He loved things intensely, gleefully and substantially. He spoke lightly, and enjoyed sharing what interested him. He lived in Brazil for ten years and was passionate about the city of S\u00e3o Paulo. Graduated in Journalism and Design in Italy, he taught at Luiss University, in Rome, and at the Istituto Europeo di Design, in S\u00e3o Paulo. He was also the director of newspaper Il Manifesto, an important Italian publication. In 1996, he adopted Brazil and, before working for Folha de S. Paulo, he redesigned the appearance of magazine Manchete, in Rio de Janeiro, and developed the graphic concept of publications A&#038;D and Nova Beleza, by publishing house Abril, in S\u00e3o Paulo. <\/p>\n<p> <!--%IMGNOT1%-->As an artist, Scarpellini promoted four individual exhibitions. During his life, his works were exhibited at Caixa Cultural (2002 and 2005), in S\u00e3o Paulo, at Palazzo dei Capitani (2005), in Italy, and in the exhibition area of restaurant Panino Giusto (2001), also in S\u00e3o Paulo. After his death, at the age of 41, in July 2006, there were two posthumous exhibitions in the city. In 2007, at Salve Jorge bar, in honour of the artist and more recently, <i>Quaderni di Viaggio<\/i>, in January 2009, at Caixa Cultural. The works exhibited were drawings of the city of S\u00e3o Paulo, nudes and drawings of trips. <\/p>\n<p> Scarpellini also has another two drawing books published: <i>Tr\u00e2nsito<\/i> (Traffic) and <i>Vidas<\/i> (Lives \u2013 both by Ateli\u00ea Editorial, 2005). He also has works for children published by Harbra.<\/p>\n<p> <b>Book<\/b><br \/> San Paolo, Desenhos e prosa da cidade<br \/> Author: Vincenzo Scarpellini<br \/> Publishing house: Publifolha<br \/> Sponsorship: CA Brasil, Lei Roaunet<br \/> Price: R$ 39.90 (US$ 19.70)<\/p>\n<p> <b>*Translated by Mark Ament<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A book by Italian designer Vincenzo Scarpellini shows pictures of the city, in pastel. Among the sceneries identified by the foreign eye of the artist is restaurant Almanara, in the centre.<\/p>\n","protected":false},"author":2316,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[89],"tags":[],"class_list":{"0":"post-30985","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-culture"},"wps_subtitle":"A book by Italian designer Vincenzo Scarpellini shows pictures of the city, in pastel. Among the sceneries identified by the foreign eye of the artist is restaurant Almanara, in the centre.","_links":{"self":[{"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/posts\/30985","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/users\/2316"}],"replies":[{"embeddable":true,"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/comments?post=30985"}],"version-history":[{"count":0,"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/posts\/30985\/revisions"}],"wp:attachment":[{"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/media?parent=30985"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/categories?post=30985"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/tags?post=30985"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}