{"id":35223,"date":"2010-07-11T07:00:00","date_gmt":"2010-07-11T09:00:00","guid":{"rendered":"https:\/\/escaesco.com.br\/lab\/anba\/the-cedar-leaves-debuts-at-theatre-in-sao-paulo\/"},"modified":"2019-06-30T16:42:00","modified_gmt":"2019-06-30T19:42:00","slug":"the-cedar-leaves-debuts-at-theatre-in-sao-paulo","status":"publish","type":"post","link":"https:\/\/anba.com.br\/en\/the-cedar-leaves-debuts-at-theatre-in-sao-paulo\/","title":{"rendered":"\u201cThe Cedar Leaves\u201d debuts at theatre in S\u00e3o Paulo"},"content":{"rendered":"<p><!--%IMGNOT1%-->S\u00e3o Paulo \u2013 The daughter of a couple of Lebanese immigrants, a middle-aged woman who lives in S\u00e3o Paulo, tries to go back to her origins seeking her identity, by means of her memory and imagination. This is the plot of the play <i>As Folhas do Cedro <\/i>(The Cedar Leaves), written and directed by Samir Yazbek, a son of Lebanese immigrants. The play will premiere on the 23rd at the Theatre of SESC Vila Mariana, in S\u00e3o Paulo. The play will be staged by the Arnesto nos Convidou theatre company.<\/p>\n<p> To write the play, Yazbek took his cue from his origins and the stories of other immigrant families, from Lebanon and other countries. In Brazil, the Lebanese community, including immigrants and descendents, exceeds 6 million people, a figure higher than the population of Lebanon itself, which is around 4 million. The director claimed that the play is not autobiographical, it is a work of fiction. \u201cThe main experience is memories of my family, of the stories that I used to hear,\u201d says Yazbek.<\/p>\n<p> He explains that he had been imagining the text inside of him for a long time, and it all took shape three years ago. \u201cThat was when I started giving it for some people to read in S\u00e3o Paulo, to see whether they approved it. But a text is meant to be read, not staged, so it underwent several changes before it was ready,\u201d claims Yazbek.<\/p>\n<p> The plot of the play is narrated by a woman who interacted more with her mother than she did with her father. \u201cAn Arab woman, full of traditional values,\u201d adds the director. It is through the stories that her mother used to tell that the daughter goes back to the past to seek memories of her father, who used to work as a contractor, in the 1970s, during the building of the Trans-Amazonian Highway, during the military regime in Brazil.<\/p>\n<p> In these trips through time, the daughter of immigrants interacts with other characters, such as a contractor from Rio, a German manager, and an Amazonian native. \u201cThese other characters are mythical, we all have characters like them inside ourselves,\u201d claims the director. According to him, \u201cThe Cedar Leaves\u201d is a symbolism for the collective roots and personal memories of this daughter, who is searching for her identity. \u201cThe play has a very symbolic, poetical language,\u201d he says.<\/p>\n<p> According to the director, the play\u2019s narrator seeks balance between the world of progress and reason, represented by her father figure, and the world of tradition, represented by her mother. \u201cI project myself onto the narrator. I believe there comes a time in which everyone asks themselves who we are, where are we going to, and when there are no answers, we turn to a more poetic view, we seek our roots,\u201d he claims.<\/p>\n<p> To elaborate the play, lots of research was done on Lebanese culture and the construction of the Trans-Amazonian Highway. The mythologies of ancient peoples are also featured in the play.<\/p>\n<p> The play\u2019s stage and costume design are reminiscent of the desert landscape of Arab countries, which according to the author is a metaphor for the human condition. The soundtrack also combines Eastern and Western music, which represent the archaic and the contemporary.<\/p>\n<p> <!--%IMGNOT2%-->After finishing the screenplay, Yazbek felt like getting to know Lebanon, and went there last year. \u201cI am fascinated with that culture. I loved going there, and came back with even greater enthusiasm. It was a trip to inspire me and make sure that I was on the right direction,\u201d he says.<\/p>\n<p> \u201cThe Cedar Leaves\u201d is part of a programme celebrating the 130th anniversary of Lebanese immigration to Brazil, an event organized by the Brazil-Lebanon Cultural Association. Even before the premiere, the Arnesto nos Convidou theatre company has been invited to perform in Beirut late this year.<\/p>\n<p> <b>Service<\/b><br \/> \u201cThe Cedar Leaves\u201d<br \/> Date: July 23 to August 22 <br \/> Time: Fridays and Saturdays at 09:00 pm, and Sundays at 06:00 pm<br \/> Place: SESC Vila Mariana Theatre<br \/> Address: Pelotas street, 141 \u2013 Vila Mariana \u2013 S\u00e3o Paulo<br \/> TIckets: 5 to 20 Brazilian reals (US$ 3 to US$ 11)<br \/> Age rating: 12 years. Genre: drama Duration: 70 min.<\/p>\n<p> <b>*Translated by Gabriel Pomerancblum<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The play, written and directed by Samir Yazbek, a son of Lebanese immigrants, tells the story of a woman who seeks her identity through her origins. The premiere will be on the 23rd.<\/p>\n","protected":false},"author":2307,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[89],"tags":[],"class_list":{"0":"post-35223","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-culture"},"wps_subtitle":"The play, written and directed by Samir Yazbek, a son of Lebanese immigrants, tells the story of a woman who seeks her identity through her origins. The premiere will be on the 23rd.","_links":{"self":[{"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/posts\/35223","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/users\/2307"}],"replies":[{"embeddable":true,"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/comments?post=35223"}],"version-history":[{"count":0,"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/posts\/35223\/revisions"}],"wp:attachment":[{"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/media?parent=35223"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/categories?post=35223"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anba.com.br\/en\/wp-json\/wp\/v2\/tags?post=35223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}